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Book of the Folded Forest
by Orla Wren
supported by 66 fans who also own “They Mostly Come At Night. Mostly”
Tui ( orla wren ) is one of our favorite artists, and can seemingly make music from anything - in other words, magical sounds emanate from the mix, and fly right into your being... tm
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supported by 66 fans who also own “They Mostly Come At Night. Mostly”
In Bokeh, Wil Bolton patiently crafted six tracks, where processed field recordings and reverberated synthesizers melodies are carefully balanced. Chimes, bar-like talks, distant traffic or whispers from the wind frame the story of this release in a very small location. We are only one step away from saying that the artist takes us in his privacy with Bokeh ; and I'll go for it. Very personal and sensitive, this album takes place behind the closed doors of Bolton's near environment. Lovely.
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... and darkness came
by Various
supported by 66 fans who also own “They Mostly Come At Night. Mostly”
this one keeps getting better with each listen
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The 17 mindbending songs on this compilation represent minimalist experimental music at its best, a collage of blips and static.
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Purportedly the recordings of a disgraced experimental psychologist (you decide), “Jumand” sets spoken word to eerie synths.
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Work of Progress & Etudes
by J.Lynch
J.Lynch (aka Thirty Pounds of Bone) plays with organic elements, including prepared piano, against electronics to impressionistic effect.
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supported by 65 fans who also own “They Mostly Come At Night. Mostly”
mostly soothing and gradually developing, with just a few occasional edges to keep things interesting. fadeouts leave me wanting more!
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